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This somehow ended up in a bunch of videos of people comparing their heights — but if you timed it just right, it was also great for food-related videos. User Ian Avery blew up thanks in part to a little dance to this track, but it was also seen all over the app. The actual song: It came out in , but streams of the song rose this year as the song went viral on social media. This chill Adventure Time —inspired song went big after illustrator TootyMcNooty made an animated video to it.
The actual song: This song is an ode to Adventure Time RIP and an episode in which Finn is shown as a brawny little baby doing a dance. The video pays tribute to that scene as well. This track came out in The actual song: According to the New York Times, the song was first created by Jonathan Williams, a year-old college student, and later remixed by fellow youth Peter Kuli, which is the version that went big on TikTok.
In any case, it's also a meme of sorts. And the videos are fun. The actual song: Lil Mayo is an alien puppet? I guess? The actual song: So this whole thing is one big promotion. E yes, l ips, f ace — get it? It's probably the most successful piece of TikTok marketing to date. This song came with the little shirt-plucking move — but like others on this list, the sound has been used for all kinds of videos. The actual song: The song came out in ; unlike some others on this list, it definitely had mainstream success as well.
It was just so ubiquitous on the app I had to include it. The actual song: The bit that went viral on TikTok is only a sliver of this song from the Broadway musical, which happens during a party scene. The actual song: Released in June, this song premiered at No. The actual song: You might remember Doja Cat from her viral song "Mooo!
The actual song: Apparently "My Type" wasn't intended to be a breakout hit from Saweetie's Icy EP, but sometimes the internet just does its thing. But this live performance offers a glimpse of Varela, now dead, playing the guiro with his band. Diego Torres' anthem of hope was a salve during Argentina's depression of Nearly 20 years later, it continues to do the trick. Lucenzo that became a global hit, including a featuring in the film Fast Five. The blend of pop and reggaeton, mixed in with folk touches like the introductory Puerto Rican cuatro, and of course, that irresistible chorus --"Des-pa-ci-to"-- made this the biggest song of Latin music in the s and s was dominated by heartthrob balladeers who sang the songs of great composers.
Then along came Franco de Vita, a Venezuelan with Italian roots who wrote and sang love songs, yes, but intensely personal ones told in a colloquial language that connected with a new generation. One of the many songwriting collaborations between the immortal tango king Carlos Gardel and Alfredo Le Pera, it was originally featured in the film of the same name, performed by Gardel.
The song was inducted into the Latin Grammy Hall of Fame in Gloria Estefan recorded the only English translation in His debut album, the stunning Odisea, clinched the deal with 16 solid hits, spanning from reggaeton to the sparse trap of "El farsante," which opened the door to the possibilities of the genre in Spanish. The song's breadth became apparent in a later remix with Romeo Santos. NIcky Jam's career was sidelined for over a decade until he released this wistful break-up anthem with Enrique Iglesias that also marked a turning point for reggaeton: Who knew reggaeton acts could be so sensitive?
But he insisted. But its complex harmonies and gospel tinges were frankly revolutionary. The song was eventually translated to English as "Touch the Wind" , and recorded by many acts, including The Shirelles and Johnny Mathis. But the Spanish original reached No. With the catchiest of hooks, Yankee had everyone dancing to the dembow beat. The simple early 20th century song based on poetry by Cuban patriot Jose Marti is considered the unofficial Cuban national anthem.
It was American folk singer Pete Seeger who took the humble acoustic tune to new heights, when he adapted it and recorded it live at Carnegie Hall in Artists from Celia Cruz to Wyclef Jean have since claimed the song as their own. They were so good that they not only transcended the island but politics as well, connecting with Latin youth up and down the continent drawn to his poetic, symbolic lyrics. Painting a vivid picture of 17th-century slavery in Colombia, Arroyo gave a dignified voice to black culture in Latin America.
Vives' nostalgic ode to lost love and lost country forever changed the course of Colombian music. It introduced vallenato to the world; the genre, to this day, remains broadly fused into all kinds of Latin music. It opened the door for Colombian artists to become global superstars; every Colombian star, from Shakira to Maluma and J Balvin, owes a debt of gratitude to Vives.
And the song spawned an entire new musical movement, tropi-pop, that blend of pop and rock with Colombian tropical beats that would become the signature of artists from Juanes to Fonseca. Did anyone not dance the Macarena? The song went to the top of the charts in Latin America, and gained widespread popularity as a soccer anthem, as part of the Grosse Pointe Blank movie soundtrack, and as a theme song for tennis player Rafael Nadal. The track of the album by the same name has been voted the best pop song in Spain in two different polls.
And not just any man, but the ever-poetic Ricardo Arjona, who exalts women in every single verse. The now-legendary Argentine rock trio, fronted by the late Gustavo Cerati, created many songs that are now classics throughout Latin America. Bachata would never be the same after this classic, penned by Romeo Santos. From his album Trozos de mi alma certified platinum in the U. The song was used in the three-way scene of Y tu mama tambien , assuring its place in pop culture.
A Manzanero-penned ballad is like that bespoke tux you can take out of the closet and wear ten, 15, 20 years from now and it will still look timeless and elegant. Eventually, a bilingual version entered the Hot , where it peaked at No.